order to satisfy the post-rockers I write a review for the debut album of the Band "Vessels", "White Fields & Open Devices".
It is not surprising that among the friends of the band generally popular artists of the English math-rock scene as "Cats and Cats and Cats" or "iLiKETRAiNS". Vessels promise Experimental Post-Rock, and they also offer.
The record begins quietly, with a long "Altered Beast", the climax is at the end of the piece. This is followed by "A Hundred Times in Every Direction", the first vocal period we achieved, tension is built up by the hysterically fast, but still quiet drumming. Then comes the climax, the piece explodes, a synthesizer sets in, plays the highest notes, and it will rock. Without much melody is cut on the tools built aggressiveness, and is slowly reduced. Now we hear
"Happy Accident", which unfortunately one extreme of the previous piece, is - quiet in the beginning, loud in the middle, at the end of quiet again, which seems so far the only scheme of Vessels song-writing to be very disappointing.
now uses a hidden chanting and the music will disappear quietly in the background. Something different?
No.
because it is followed by a loud banging noise again, it feels like to come so far in an opera that highlights the most predictable time, and why you fall asleep in his cozy armchair opera.
"An Idle Brain and the Devil's Workshop "is louder than the other pieces, this time it seems that the Höhpeunkt to take a long time, but this time there are at least a hint of beautiful melodies in the instrumental area.
one wonders know that you have a good start mess for a bit then through song-writing so that it can sound just like the others - because, even though the song should sound dramatically at the beginning, are in the middle again right to turn up the amplifier, which then takes the usual one and a half minutes, then taken down and now starts the period of the so far best album
beautiful post-rock melodies and drumming in the background, it rustles disordered -. A wonderful atmosphere is created, as it was previously not on the album by manageable.
that perplexes me, as the next song "Walking Through Walls" by no means again an explosion of force and aggression, but also a beautiful beginning, wnnauch now with vocals, as does the end of his predecessor.
Electro beats are slowly introduced to the Chinese kiling additional cymbals. Shortly
increases also an acoustic guitar, stop the electro beats, and the drummer starts properly - but he does not have much time, because shortly thereafter, there is a beautiful acoustic solo guitar.
We are now arrived back at the point at which the electronic beats use - We arrived at the chorus.
The electro beats take over now, towards the end of the command, and the song stops rather suddenly.
goes with dark sounds on it, synth waves create a black atmosphere, get rid of hope. Quiet, arrhythmic drum beats a share, and eventually the band.
"Trois Heures" has begun.
A dramatic results, but it will stop soon - The old game.
Towards the end it wid crying out loud, as we have known Vessels-songwriting in the beginning.
with "Look at that Cloud!" followed by a quiet, spherical sounds, and at the end of guitar, some song.
Probably one notices me, that I me while writing this review a bit boring and long for the end. But excuse me, but that's not my fault but that of the album.
A weak drive that is not really deserved to reviewing it, but I expected more.
is the sober realization:
bad drives, there must be even, so you can consider the others as well.
This, together with 4.5/10 points for "White Fields & Open Devices" I wish you a nice day.
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